DJ Shadow Music
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[[Image:DJ_Shadow_CD.jpg|thumbnail|[[DJ Shadow]] CD]]DJ Shadow (born Josh Davis) is a turntablist musician. He and [[Shepard]] [[collaborated]] in 2005 to create Public Works, which is described on [[http://djshadow.com/ DJ Shadow's website]] as "a DJ Shadow/[[Obey]] Reconstruction." A variety of products were released under this project, including buttons, stickers, t-shirts, two prints, and a limited edition box set.
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{|
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| [[Image:Shadow_picture.jpg|thumb|300px|Josh Davis aka DJ Shadow]] || [[Image:DJ_Shadow_CD.jpg|thumbnail|[[DJ Shadow]] ''Funky Skunk'' CD]]
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|}
  
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The box set, a limited edition of 450 priced at $169.99, included the DJ Shadow "Funky Skunk" mix CD, five [[t-shirts]] printed on American Apparel stock and tagged as Obey Clothing products(the fifth was a box set exclusive and featured a George Bush as Grim Reaper design), the [[Obey Giant]] "[[Post No Bills]]" book, stickers, and buttons, all of which were packaged in a silkscreened cardboard box.
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From [http://music.yahoo.com/ar-263126-bio--DJ-Shadow Yahoo Music]:
  
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The four non-exclusive t-shirts were later released for sale, one per month, on www.shopdjshadow.com.  The designs, in order, were navy Portrait(of DJ Shadow), olive Crane(same graphic as the large format silkscreen poster), red Take Action(the same graphic as the small format silkscreen and later used on the Molotov Man print), and black Crest.   
 
  
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[[Image:Djshadow.jpg|thumbnail|left|[[Public Works]] Poster]]A sixth Public Works t-shirt that was not part of the box set, the "Crown and Bird" design, was released in December of 2005 and made available on both www.shopdjshadow.com and www.obeygiant.com.
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DJ Shadow's Josh Davis is widely credited as a key figure in developing the experimental instrumental hip-hop style associated with the London-based Mo' Wax label. His early singles for the label, including "In/Flux" and "Lost and Found (S.F.L.)," were all-over-the-map mini-masterpieces combining elements of funk, rock, hip-hop, ambient, jazz, soul, and used-bin incidentalia. Although he'd already done a scattering of original and production work (during 1991-1992 for Hollywood Records) by the time Mo' Wax's James Lavelle contacted him about releasing "In/Flux" on the fledgling imprint, it wasn't until his association with Mo' Wax that his sound began to mature and cohere. Mo'Wax released a longer work in 1995 -- the 40-minute single in four movements, "What Does Your Soul Look Like," which topped the British indie charts -- and Davis went on to co-write, remix, and produce tracks for labelmates DJ Krush and Doctor Octagon plus the Mo' trip-hop supergroup U.N.K.L.E.
  
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The "DJ Shadow" silkscreen print was limited to 200 copies and came signed only by [[Shepard]]. It first went on sale at the grand opening of Public Works, with a limited supply later appearing on www.obeygiant.com. It sold out very rapidly.
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Josh Davis grew up in Hayward, CA, a predominantly lower-middle-class suburb of San Francisco. The odd White suburban hip-hop fan in the hard rock-dominated early '80s, Davis gravitated toward the turntable/mixer setup of the hip-hop DJ over the guitars, bass, and drums of his peers. He worked his way through hip-hop's early years into the heyday of crews like Eric B. & Rakim, Ultramagnetic, and Public Enemy; groups which prominently featured DJs in their ranks. Davis had already been fiddling around with making beats and breaks on a four-track while he was in high school, but it was his move to the NorCal cow-town of Davis to attend university that led to the establishment of his own Solesides label as an outlet for his original tracks. Hooking up with Davis' few b-boys (including eventual Solesides artists Blackalicious and Lyrics Born) through the college radio station, Shadow began releasing the Reconstructed From the Ground Up mix tapes in 1991 and pressed his 17-minute hip-hop symphony "Entropy" in 1993. His tracks spread widely through the DJ-strong hip-hop underground, eventually catching the attention of Mo' Wax. Shadow's first full-length, ''Endtroducing...'', was released in late 1996 to immense critical acclaim in Britain and America. ''Preemptive Strike'', a compilation of early singles, followed in early 1998.
  
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An additional, smaller-size print was also release to commemorate Public Works. Released as a limited edition of only 50 and apparently signed by both DJ Shadow and [[Shepard]], this print featured the same graphic later used on [[Molotov Man]].  The small format print sold out at the grand opening of Public Works at Kidrobot LA on August 25, 2005.
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Later that year, Shadow produced tracks for the debut album by U.N.K.L.E., a long-time Mo' Wax production team that gained superstar guests including Thom Yorke (of Radiohead), Richard Ashcroft (of the Verve), Mike D (of the Beastie Boys), and others. His next project came in 1999, with the transformation of Solesides into a new label, Quannum Projects. Nearly six years after his debut production album, the proper follow-up, ''The Private Press'', was released in June 2002. The following year Shadow released a mix album, ''Diminishing Returns,'' and in 2004 he released a live album and DVD, ''Live! In Tune and on Time''. ~ Sean Cooper, All Music Guide
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In September 2006, DJ Shadow released a new album, ''The Outsider''. The cover was designed by Paul Insect.
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DJ Shadow collaborated with [[Shepard Fairey]] on 2005's [[Public Works]], described as a "DJ Shadow/Obey Reconstruction." Two Obey Giant posters were released in conjunction with that event, 2005's [[DJ Shadow]] and [[DJ Shadow Small]].  
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{|
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| [[Image:Djshadow-print.jpg|thumb|[[DJ Shadow]]]] || [[Image:360px-Djshadow2.jpg|thumb|[[DJ Shadow Small]]]]
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|}
  
 
==Links==
 
==Links==
 
[http://www.djshadow.com/ Official DJ Shadow website]<br>
 
[http://www.djshadow.com/ Official DJ Shadow website]<br>
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[http://www.kidrobot.com/reports/shadowla.html Kid Robot - Public Works Signing]
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[http://en.wikipedia.org/wiki/DJ_Shadow DJ Shadow Wikipedia entry]<br>
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[http://www.solesides.com/ Solesides, the definitive fan site]<br>
 
{{iTunes|133086|DJ Shadow}}
 
{{iTunes|133086|DJ Shadow}}
  
 
[[category:TheGiant.Org]]
 
[[category:TheGiant.Org]]
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[[category:Collaborations]]
 
 
[[category:Bands]]
 
[[category:Bands]]
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[[category:Other Media]]
 

Latest revision as of 16:47, 7 September 2007

Josh Davis aka DJ Shadow
DJ Shadow Funky Skunk CD

From Yahoo Music:


DJ Shadow's Josh Davis is widely credited as a key figure in developing the experimental instrumental hip-hop style associated with the London-based Mo' Wax label. His early singles for the label, including "In/Flux" and "Lost and Found (S.F.L.)," were all-over-the-map mini-masterpieces combining elements of funk, rock, hip-hop, ambient, jazz, soul, and used-bin incidentalia. Although he'd already done a scattering of original and production work (during 1991-1992 for Hollywood Records) by the time Mo' Wax's James Lavelle contacted him about releasing "In/Flux" on the fledgling imprint, it wasn't until his association with Mo' Wax that his sound began to mature and cohere. Mo'Wax released a longer work in 1995 -- the 40-minute single in four movements, "What Does Your Soul Look Like," which topped the British indie charts -- and Davis went on to co-write, remix, and produce tracks for labelmates DJ Krush and Doctor Octagon plus the Mo' trip-hop supergroup U.N.K.L.E.

Josh Davis grew up in Hayward, CA, a predominantly lower-middle-class suburb of San Francisco. The odd White suburban hip-hop fan in the hard rock-dominated early '80s, Davis gravitated toward the turntable/mixer setup of the hip-hop DJ over the guitars, bass, and drums of his peers. He worked his way through hip-hop's early years into the heyday of crews like Eric B. & Rakim, Ultramagnetic, and Public Enemy; groups which prominently featured DJs in their ranks. Davis had already been fiddling around with making beats and breaks on a four-track while he was in high school, but it was his move to the NorCal cow-town of Davis to attend university that led to the establishment of his own Solesides label as an outlet for his original tracks. Hooking up with Davis' few b-boys (including eventual Solesides artists Blackalicious and Lyrics Born) through the college radio station, Shadow began releasing the Reconstructed From the Ground Up mix tapes in 1991 and pressed his 17-minute hip-hop symphony "Entropy" in 1993. His tracks spread widely through the DJ-strong hip-hop underground, eventually catching the attention of Mo' Wax. Shadow's first full-length, Endtroducing..., was released in late 1996 to immense critical acclaim in Britain and America. Preemptive Strike, a compilation of early singles, followed in early 1998.

Later that year, Shadow produced tracks for the debut album by U.N.K.L.E., a long-time Mo' Wax production team that gained superstar guests including Thom Yorke (of Radiohead), Richard Ashcroft (of the Verve), Mike D (of the Beastie Boys), and others. His next project came in 1999, with the transformation of Solesides into a new label, Quannum Projects. Nearly six years after his debut production album, the proper follow-up, The Private Press, was released in June 2002. The following year Shadow released a mix album, Diminishing Returns, and in 2004 he released a live album and DVD, Live! In Tune and on Time. ~ Sean Cooper, All Music Guide

In September 2006, DJ Shadow released a new album, The Outsider. The cover was designed by Paul Insect.

DJ Shadow collaborated with Shepard Fairey on 2005's Public Works, described as a "DJ Shadow/Obey Reconstruction." Two Obey Giant posters were released in conjunction with that event, 2005's DJ Shadow and DJ Shadow Small.

DJ Shadow
DJ Shadow Small

[edit] Links

Official DJ Shadow website
DJ Shadow Wikipedia entry
Solesides, the definitive fan site

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